Thomas Soardi
Focusing on the space and objects mediating human relationships, the research of Thomas Soardi revolves around three macro-areas: the concept of space, concerning what defines it and regulates its fruition; ethology, as a comparative study on the animal kingdom (animal - human); and the concept of care, regarding bodily and psychological support devices.
By intersecting these research fields, a hybrid narrative rises from the creation of systems that see new semantic connections emerging between the elements, thus sparking a new dialogue between the verbal and the visual.
The media implied range from sculpture to installation, from photography to drawing, from graphic design to textile art.
'Daspo Panottico', 2019 - 130 x 100 cm Pigeon bollard, silk printed panel and 'Antabuse', 2019 - 175 x 160 x 80 cm Poly methyl methacrylate, epoxy resin, polyurethane foam, acrylic, galvanized steel, lamb leather, glass, installation view at VIR - Via Farini Spazio Arte Contemporanea (Milan)
'Antabuse', 2019 - 175 x 160 x 80 cm Poly methyl methacrylate, epoxy resin, polyurethane foam, acrylic, galvanized steel, lamb leather, glass, at VIR Via Farini Spazio Arte Contemporanea (Milan)
'Happy 24 Hours Everybody!', 2019 - 160 x 55 x 55 cm Iron, led spotlight, lead, cable cover, sponge, aluminum, mirror, swim bladder, at VIR - Via Farini Spazio Arte Contemporanea (Milan)
'Prossemica', 2018 - 180 x 140 cm Mirror, wood, antifreeze liquid, methane cylinder, windscreen wiper, electric generator, at PLASMA PLASTIC MODERN ART (Milan)
'Sottosuolo/Sottotesto', 2018 - 450 x 270 x 400 cm Plaster, tattoo on pig rind under formaldehyde, spotlight, microphone stand, torch, engraving on pmma plate, silk printed panel, customized shoes covers, industrial waste container, aluminum, at PLASMA PLASTIC MODERN ART (Milan)
Thomas Soardi
Focusing on the space and objects mediating human relationships, the research of Thomas Soardi revolves around three macro-areas: the concept of space, concerning what defines it and regulates its fruition; ethology, as a comparative study on the animal kingdom (animal - human); and the concept of care, regarding bodily and psychological support devices.
By intersecting these research fields, a hybrid narrative rises from the creation of systems that see new semantic connections emerging between the elements, thus sparking a new dialogue between the verbal and the visual.
The media implied range from sculpture to installation, from photography to drawing, from graphic design to textile art.
'Daspo Panottico', 2019 - 130 x 100 cm Pigeon bollard, silk printed panel and 'Antabuse', 2019 - 175 x 160 x 80 cm Poly methyl methacrylate, epoxy resin, polyurethane foam, acrylic, galvanized steel, lamb leather, glass, installation view at VIR - Via Farini Spazio Arte Contemporanea (Milan)
'Antabuse', 2019 - 175 x 160 x 80 cm Poly methyl methacrylate, epoxy resin, polyurethane foam, acrylic, galvanized steel, lamb leather, glass, at VIR Via Farini Spazio Arte Contemporanea (Milan)
'Happy 24 Hours Everybody!', 2019 - 160 x 55 x 55 cm Iron, led spotlight, lead, cable cover, sponge, aluminum, mirror, swim bladder, at VIR - Via Farini Spazio Arte Contemporanea (Milan)
'Prossemica', 2018 - 180 x 140 cm Mirror, wood, antifreeze liquid, methane cylinder, windscreen wiper, electric generator, at PLASMA PLASTIC MODERN ART (Milan)
'Sottosuolo/Sottotesto', 2018 - 450 x 270 x 400 cm Plaster, tattoo on pig rind under formaldehyde, spotlight, microphone stand, torch, engraving on pmma plate, silk printed panel, customized shoes covers, industrial waste container, aluminum, at PLASMA PLASTIC MODERN ART (Milan)