Mariantonietta Bagliato
Mariantonietta Bagliato was born in 1985 in Bari, Italy, with Czech roots. The puppet theater influenced her artistic research. Since her childhood, she worked with puppets with strings made by her mother, who was born in Prague. In the field of visual arts, her research results in a combination of different influences, and she has experimented with various techniques such as performance, installations, soft-sculptures, drawings, and public art projects. Her work is characterized by the systematic use of fabrics like visual materials to express the evocative power of the collective unconscious memory.
She transforms the fabrics into soft and enveloping forms, sometimes aggressive and monstrous, capable of stimulating multiple senses from the visual to the tactile. Space is essential because the installations interact with the places and are therefore traversable, habitable, and, at times, interactive.
'Avatara', textiles, stuffing, strings, view from “Temporarily Suspended”, Like A Little Disaster, 2018, ph. L.A.L.D.
'Mannequeen', mannequin, textile, stuffing, installation view from “Temporarily Suspended”, Like A Little Disaster, 2018 – ph. L.A.L.D.
'Where is the fox/ E la volpe?', textiles, stuffing, view from “Il futuro era bellissimo per noi”, 63rd-77th steps - Cité Internationale des Arts - Paris , 2016 - ph. Quentin Dubret
'Soft see/Mare Morbido', textiles, stuffing, view from “Show Case”, Pino Pascali Fondation, Polignano a Mare, 2017 ph. Marino Colucci / Sfera
'The puppettier', video installation and textile, stuffing, view from “A destra secondo” piano, Casa Vuota, Rome, 2019 – ph. Annamaria Lamastra
'Through', textile, stuffing, view from “First I Have To Put My Face On”, 2018 - ph. L.A.L.D.
Mariantonietta Bagliato
Mariantonietta Bagliato was born in 1985 in Bari, Italy, with Czech roots. The puppet theater influenced her artistic research. Since her childhood, she worked with puppets with strings made by her mother, who was born in Prague. In the field of visual arts, her research results in a combination of different influences, and she has experimented with various techniques such as performance, installations, soft-sculptures, drawings, and public art projects. Her work is characterized by the systematic use of fabrics like visual materials to express the evocative power of the collective unconscious memory.
She transforms the fabrics into soft and enveloping forms, sometimes aggressive and monstrous, capable of stimulating multiple senses from the visual to the tactile. Space is essential because the installations interact with the places and are therefore traversable, habitable, and, at times, interactive.
'Avatara', textiles, stuffing, strings, view from “Temporarily Suspended”, Like A Little Disaster, 2018, ph. L.A.L.D.
'Mannequeen', mannequin, textile, stuffing, installation view from “Temporarily Suspended”, Like A Little Disaster, 2018 – ph. L.A.L.D.
'Where is the fox/ E la volpe?', textiles, stuffing, view from “Il futuro era bellissimo per noi”, 63rd-77th steps - Cité Internationale des Arts - Paris , 2016 - ph. Quentin Dubret
'Soft see/Mare Morbido', textiles, stuffing, view from “Show Case”, Pino Pascali Fondation, Polignano a Mare, 2017 ph. Marino Colucci / Sfera
'The puppettier', video installation and textile, stuffing, view from “A destra secondo” piano, Casa Vuota, Rome, 2019 – ph. Annamaria Lamastra
'Through', textile, stuffing, view from “First I Have To Put My Face On”, 2018 - ph. L.A.L.D.