A3 — Lucia Cristiani About

Lucia Cristiani

Lucia Cristiani (born 1991 in Milan) lives and works in Milan and Sarajevo.

"My research unfolds from the relationship with landscape as a subject of investigation, considered as a point of observation to get in touch with reality. To me landscape is natural, political, historical and personal. I consider the natural, historical and personal landscape, as if all these elements should contribute to the final result of my work. Staying in a particular place means absorbing its peculiarities and its characteristics, having an exchange with the people who shape it and live there. I think it is necessary to turn the subject of a work into a means to reach a deep and perceptive analysis of reality. This can give access to reality’s possibilities and its potential changes. Changing the perception of everything that is taken for granted and how we approach things and people offers the possibility of a destabilizing vision."

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'Wherever Yugo, I go', Zastava Yugo windshield corroded with hydrofluoric acid, falling steel, 64x134 cm, 2019

'Wherever Yugo, I go', inkjet print on polythenete paper on aluminum, 110x72 cm, 2019

Lucia Cristiani

Lucia Cristiani (born 1991 in Milan) lives and works in Milan and Sarajevo.

"My research unfolds from the relationship with landscape as a subject of investigation, considered as a point of observation to get in touch with reality. To me landscape is natural, political, historical and personal. I consider the natural, historical and personal landscape, as if all these elements should contribute to the final result of my work. Staying in a particular place means absorbing its peculiarities and its characteristics, having an exchange with the people who shape it and live there. I think it is necessary to turn the subject of a work into a means to reach a deep and perceptive analysis of reality. This can give access to reality’s possibilities and its potential changes. Changing the perception of everything that is taken for granted and how we approach things and people offers the possibility of a destabilizing vision."

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'How far should I go to explode?' (Act 1 and Act 2), House of Displacement, curated by CampoBase, promoted by Fondazione Sandretto Re Rebaudengo and with the support of Fondazione per l’Arte Moderna e Contemporanea CRT, Torino

'Wherever Yugo, I go', Zastava Yugo windshield corroded with hydrofluoric acid, falling steel, 64x134 cm, 2019

'Wherever Yugo, I go', inkjet print on polythenete paper on aluminum, 110x72 cm, 2019