"If I had to pinpoint the essence of my artistic research with a single attribute, this would be untimely. The “untimely” declined in all its possibilities: from the research of outdated medium, to the interest for untimely places where forgotten historical episodes are hidden, until a questioning about visibility in itself that involves our system of perception. From this last possibility comes my necessity to investigate the reality by resorting to redundancies, subsequent translations from one medium to another, mixing together both subjective and objective points of view. If my artistic practice has its beginning in a critical use of traditional media, its ideal goal is to show the ability to use them within a wider narrative. The history of art itself becomes a place of quotation and reassembly, ocean of information not yet adequately interpreted and just so untimely."

www.giuliosaveriorossi.com

"If I had to pinpoint the essence of my artistic research with a single attribute, this would be untimely. The “untimely” declined in all its possibilities: from the research of outdated medium, to the interest for untimely places where forgotten historical episodes are hidden, until a questioning about visibility in itself that involves our system of perception. From this last possibility comes my necessity to investigate the reality by resorting to redundancies, subsequent translations from one medium to another, mixing together both subjective and objective points of view. If my artistic practice has its beginning in a critical use of traditional media, its ideal goal is to show the ability to use them within a wider narrative. The history of art itself becomes a place of quotation and reassembly, ocean of information not yet adequately interpreted and just so untimely."

www.giuliosaveriorossi.com