With the passing of time, from site specific black chromatic interventions (transposition of emotions from abstract concept to concrete reality using an abstract language) I find myself facing these architectural carcasses through the photographic tool; it, purely analogical, is used as a contemporary medium and not as "vintage" documentation of an event. As a result, it comes to the alteration of images and their manipulation through direct intervention on the film. He tries to establish a connection between himself and what he "captures", a way of operating that is apparently nostalgic, but which he prefers to consider a means of reincarnation of what has been, establishing a balance that makes the subjects timeless, sterile "icons" that endure in the accumulation of memories, souls in their own right, freezing any past or potential emotion in the present. The scenario therefore remains sometimes "cold" but brings to the eyes of the viewer an objective phenomenon: the possible interconnections between the various subjects, the various processes of interaction between the elements present, the study of the relationship between man and territory, understood as "architectural, social and anthropological place", an almost scientific approach, with a language that alternates communicative and conceptual poetic impact. On this line of research is continuing to study places, materials, an experimentation on space and the possibilities of action of the work of art, sincere operations that reflect deep needs, but told in third person.

With the passing of time, from site specific black chromatic interventions (transposition of emotions from abstract concept to concrete reality using an abstract language) I find myself facing these architectural carcasses through the photographic tool; it, purely analogical, is used as a contemporary medium and not as "vintage" documentation of an event. As a result, it comes to the alteration of images and their manipulation through direct intervention on the film. He tries to establish a connection between himself and what he "captures", a way of operating that is apparently nostalgic, but which he prefers to consider a means of reincarnation of what has been, establishing a balance that makes the subjects timeless, sterile "icons" that endure in the accumulation of memories, souls in their own right, freezing any past or potential emotion in the present. The scenario therefore remains sometimes "cold" but brings to the eyes of the viewer an objective phenomenon: the possible interconnections between the various subjects, the various processes of interaction between the elements present, the study of the relationship between man and territory, understood as "architectural, social and anthropological place", an almost scientific approach, with a language that alternates communicative and conceptual poetic impact. On this line of research is continuing to study places, materials, an experimentation on space and the possibilities of action of the work of art, sincere operations that reflect deep needs, but told in third person.