Fabio Roncato
“Neither intervention, be it addition or subtraction of material, nor mere volumetric configuration: the sculpture for Fabio Roncato is first of all possibility. Get in relation with the matter. Identify the operational opportunities that it offers and makes possible. Evaluate the limits and proceed by admitting mistakes, adjustments and variations also determined by the case. His goal is to make the formative moment stand out in his work. A praxis and mutability that must in any case be recognizable in it. The material therefore becomes a concrete trace of the variability, of an operational dynamism often determined by the relationship with the context of production of the work and by the unpredictability of the different natural factors present in the environments in which it works. Contradict the static nature of the material while using it. This is his poetic figure.”
Davide Dal Sasso
'The ocean at the antipodes', 2018, paper on adversting board, 600 x 300 cm, collaboration with the Department of Geography of the University of Padua and “Ufficio Progetto Giovani, Municipality of Padua”
'Momentum', 2017-2019, foundry wax, series of sculptures in different dimensions
'Momentum', 2017-2019 beeswax, series of sculptures in different dimensions
'Untitled', 2018, old bricks, blue ink, dimensions variable, installation view at VIR via Farini in residence, Milan
'The star’s engine', 2019, video, around 8 minutes, loop, installation view at Open Box, Milan
'Parallels', 2017, inkjet print on baryta Canson paper mounted on aluminium, 110x109cm
Fabio Roncato
“Neither intervention, be it addition or subtraction of material, nor mere volumetric configuration: the sculpture for Fabio Roncato is first of all possibility. Get in relation with the matter. Identify the operational opportunities that it offers and makes possible. Evaluate the limits and proceed by admitting mistakes, adjustments and variations also determined by the case. His goal is to make the formative moment stand out in his work. A praxis and mutability that must in any case be recognizable in it. The material therefore becomes a concrete trace of the variability, of an operational dynamism often determined by the relationship with the context of production of the work and by the unpredictability of the different natural factors present in the environments in which it works. Contradict the static nature of the material while using it. This is his poetic figure.”
Davide Dal Sasso
'The ocean at the antipodes', 2018, paper on adversting board, 600 x 300 cm, collaboration with the Department of Geography of the University of Padua and “Ufficio Progetto Giovani, Municipality of Padua”
'Momentum', 2017-2019, foundry wax, series of sculptures in different dimensions
'Momentum', 2017-2019 beeswax, series of sculptures in different dimensions
'Untitled', 2018, old bricks, blue ink, dimensions variable, installation view at VIR via Farini in residence, Milan
'The star’s engine', 2019, video, around 8 minutes, loop, installation view at Open Box, Milan
'Parallels', 2017, inkjet print on baryta Canson paper mounted on aluminium, 110x109cm