In this selection and in this 'making its own' the violent visual stimulus through the iconographic appropriation of drawing and painting, managed with fragile virtuosity, emerges a questioning of the authenticity of the information and the slight disconnection that is created between reality and representation in the use of these informative materials, often perceived as authentic regardless of their actual validity.

In this selection and in this 'making its own' the violent visual stimulus through the iconographic appropriation of drawing and painting, managed with fragile virtuosity, emerges a questioning of the authenticity of the information and the slight disconnection that is created between reality and representation in the use of these informative materials, often perceived as authentic regardless of their actual validity.