Davide Sgambaro’s work investigates those fractures of human existence that constitute the basic archive of each narration. Together with the phenomenal reality, Sgambaro looks at the heterogeneous postmodern literary experience, conceived, in this case, as a complex and problematic elaboration of conceptual matter. Stories are narrativized through the use of disparate means and elements, substantially materializing in precarious forms. The question of form is related to the practice of gaming, as an ambiguous element and in perfect antithesis with its most intrinsic being. A multiple relation with the matters and with the public that necessarily arises out of quantifiable time and within the space of thought.