The plaster cast of female hips represents the matrix of the terracotta form of the amphora. In the concreteness of its gesture it forms the in-between of the two forms.
Like a memory filtered, polyethylene sheet obscure the visibility of the objects from the outside, leaving them to emerge on the surface. On the inside, similar to a body — live and breathing, the sheets create a space which embraces. In the tombs of ancient times vases were arranged around the body of the deceased, copied several times, according to a will and a significance yet to be deciphered.

The plaster cast of female hips represents the matrix of the terracotta form of the amphora. In the concreteness of its gesture it forms the in-between of the two forms.
Like a memory filtered, polyethylene sheet obscure the visibility of the objects from the outside, leaving them to emerge on the surface. On the inside, similar to a body — live and breathing, the sheets create a space which embraces. In the tombs of ancient times vases were arranged around the body of the deceased, copied several times, according to a will and a significance yet to be deciphered.